Cannonball Adderley "Pyramid", Fantasy Records 1974

Cannonball Adderley is definitely one of the pivotal figures in history of Jazz, from playing with Miles Davis in late 50s with such releases as "Milestones" and "Kind Of Blue" to leading his own group associating with talents like Joe Zawinul, Bobby Timmons, George Duke, Walter Booker, Charles Lloyd, and Yusef Lateef. He is master of soul-Jazz, and went to find successes with producing classic Jazz standards. His music was well-received with large audiences, due to his ability to cross over between Jazz and more funk, electric and R&B oriented styles of music. Especially, after moving to Capital Records and teaming up with Jazz-Funk producer David Axelrod from mid 60s, he had produced crossover Jazz releases that had met with listeners' taste during those years when psychedelic rock flourished (Beatles' "White Album", Jimi Hendrix Experience, and none of other Miles Davis "Bitches Brew".

Co-produced with Cannonball and Axelrod, this electric, groovy Jazz-funk album was released in 1974, a year before his sudden death. It is a year after Herbie Hancock released "Head Hunters". So maybe we can hear the influence and experiment in sounds from this album, personally not quite sure about his true intension on the recordings. It is very spacy feeling into each tracks, from ARP synth by George Duke who was playing on Frank Zappa's band around this time.

The album features electric sounds throughout most tracks, and lesser soloing from the man himself. The first track is groovy electric funk track, a perfect evidence of Axelrod's production style with heavy percussive beats and layers of sounds.

Personally, though all tracks are electric, fusion vibes, I like the last track "BESS , OH WHERE'S MY BESS", a ballad with more straight forward Jazz with just alto sax and piano. I think the song, style, mood suit him better in this way.

CD Reissue with audio samples

Personnel:
Julian Cannonball Adderley - Alto & Soprano Sax
Nat Adderley - Cornet
Hal Galper - Electric piano
Walter Booker - Bass
Roy McCurdy - Drums

plus
Phil Upchurch - Guitar
George Duke - Electric & Acoustic Clavinet, ARP Synthesizer
Jimmy Jones - Piano (on "BESS" only)

Tracklist:
Side A:
1. Phases (Hal Galper) (6:00)
2. My Lady Blue (Hal Galper) (4:45)
3. Books End (David Axelrod) (5:35)

Side B:
1. Pyramid (Julian Adderley) (3:40)
2. Suite Cannon (Julian Adderley)
1. The King & I (3:13)
2. Time In (4:41)
3. For Melvin Lastie (2:26)
3. BESS , OH WHERE'S MY BESS (G & I Gershwing) (3:36)

David Axelrod Official Site

Cosmic Village "Cosmic Village", For Life Records 2000

Cosmic Village was the project by Hajime Yoshizawa, Shuya Okino (Kyoto Jazz Massive), Masato Nakamura (Sleep Walker), and Yasushi Kurobane to create future-Jazz mixing with various styles of music including fusion, drum n bass, breakbeats, rock and later to be called "broken beats".

This is their 3rd and the first original album "Cosmic Village", released by For Life in 2000.Mixing with Kurobane's rock guitar sound with Jazz taste of Yoshizawa and Nakamura, Cosmic Village created hybrid sounds that had become genre-less and timeless. It is difficult to describe the album with one category, and it is reasonable to believe that many producers and artists have taken the same footstep to produce similar crossover sounds with collaborative efforts as seen in this project.

They are now gone to solo or group, but Cosmic Village is still alive, and continues evolving.

Track list:
1. Translucent (0:43)
2. The Mirage (4:21)
3. You Can See The Light (5:27)
4. Gravity (4:23)
5. Violets (3:25)
6. Full Load (4:48)
7. Starseed (5:44)
8. Mid-Day-Moon (5:21)
9. Perfect Emotion (4:49)
10. Astral Circulation (6:21)
11. Spiral I (6:05)
12. Biophonics (6:09)
13. Earthrise (3:56)

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